Free syllable counter for words and verse
Syllable counter with the beats for every word
TextLab's syllable counter totals the syllables in anything you type and shows how many each individual word contributed, so you can see where the number came from. The page is free, there is no signup, and it takes a single word as happily as an entire manuscript. Switch on the line check and every line of a poem is measured against haiku, tanka, limerick or ten-beat pentameter, with the amount you are over or short spelled out.
- 100% free
- No signup
- Every word broken out
- Haiku and meter check
- 97% accurate on prose
Every word, with its beats
Each word appears here with the number of beats behind it, so you can see exactly where a total came from instead of trusting it.
How the words are shaped
The spread of one-beat against many-beat words is what readability formulas measure, and it appears here as soon as you write something.
How to count syllables
Three steps, and the beats appear while the word is still half-typed.
Put in a word, a line or the whole poem
One word is enough — type it and the beat count appears beside it. For verse, keep one line of the poem on one line of the box, because the line is what the meter is measured against. A ⌘V — Ctrl+V on Windows — is caught by the whole page, so the clipboard lands in the box without you clicking into it first.
Read the total, then check it word by word
The big figure is the syllable total for everything in the box. Under it, every word is listed with the number of beats it contributed, so a total you did not expect can be traced to the word that caused it. Tinted words came from the built-in list of 200 exceptions; the rest were worked out from their spelling.
Turn on the line check and pick a form
Tick “Check a poem line by line” and choose haiku, tanka, limerick, iambic pentameter or your own comma-separated pattern such as 6, 6, 4. Each line then shows its beats against its target and says how many you are over or short, and the pattern repeats down the page for a poem of several stanzas.
Technical specifications
| What it reports | Total syllables, syllables per word, the beats in each individual word, one-syllable and three-or-more-syllable counts, the longest word, and the syllables on each line of verse |
|---|---|
| How a word is measured | Vowel groups first, then 11 patterns where two touching vowels are really two beats (media, violin, usual), 18 where they are one (nation, special, delicious), 35 endings that swallow an e (lovely, movement, someone), and the syllabic -le and -re of candle and centre |
| Exception list | 200 words the rules cannot reach, including loanwords that kept a spoken final e (café, recipe, karaoke), the -ed adjectives (naked, wicked, learned) and outright oddities such as colonel and Wednesday |
| Accuracy | 97.5% word-for-word against dictionary syllabification on a 553-word batch scored once with the rules frozen; 1,878 words checked in total while the rules were written |
| Verse forms checked | Haiku 5-7-5, tanka 5-7-5-7-7, limerick 8-8-5-5-8, iambic pentameter at 10 a line, or any comma-separated pattern you type, repeating down the page for multiple stanzas |
| Not counted | Numerals and anything containing a digit, because 1,500 has four syllables in one reading and five in another; the number skipped is reported beside the total |
| Length limit and speed | Nothing is capped. A 1,000-word essay is measured in 0.13 ms on an Apple M2 Pro laptop, and a 100,000-word manuscript in 6.9 ms, because every distinct word is worked out once and then remembered |
| Price | Free — no account, no trial, and no cap on how many poems you check |
Frequently asked questions
Is fire one syllable or two?
This page counts fire as one, and so do most dictionaries — but poets have treated it as two for four hundred years. It belongs to a small family of words where a vowel slides into an r or an l and speakers disagree about whether the slide is a second beat: fire, hour, our, choir, prayer, real, cruel. Say them slowly and a second beat appears; say them at speed and it vanishes. If your line scans better with two, count two — the page is a measuring stick, not an umpire.
Why does the count say every has two syllables when I say three?
Because the dictionary pronunciation collapses it: ev-ry, not ev-er-y. English is full of these squeezed middles, where a vowel between two consonants drops out in ordinary speech — family said as fam-ly, camera as cam-ra, chocolate as choc-late, comfortable as comf-ta-ble, business as biz-ness. This page follows what dictionaries print, which means every counts two and family counts three. Where you land depends on how carefully you are speaking, and both readings are correct English.
Does the -ed ending add a syllable?
Only after a t or a d: wanted and needed gain a beat, walked and hoped do not. That single rule handles almost every past tense in English, and this page applies it, which is why walked comes back as one syllable despite having two vowels in it. The exceptions are a handful of adjectives that kept the older pronunciation — naked, wicked, crooked, rugged, learned, blessed, beloved, aged — and all of them are in the exception list rather than left to the rule.
How accurate is an automatic syllable count?
About 97 per cent on ordinary English prose, and worse the further you get from it. The engine here was checked word by word against dictionary syllabification on 1,878 words while it was written; the final batch of 553, scored once with the rules frozen, came out 97.5 per cent right. What remains wrong is predictable: names, loanwords that kept their original pronunciation, invented words, and anything where two pronunciations are both correct. For a haiku, check the three lines by ear as well; for a readability score over ten thousand words, a one-in-forty error rate makes no visible difference.
Does it count names properly?
Often not, and names are the single weakest spot. Chloe and Zoe come back as one beat instead of two, Siobhan as three instead of two, and Irish, Welsh, Vietnamese and Polish names fare worse still, because the rules are built on English spelling habits that those languages never signed up to. Ordinary English words that arrived from elsewhere are handled — café, karaoke, silhouette and two hundred others are held in an exception list precisely because no rule catches them — but a list cannot cover every surname in the world.
How many syllables should each line of a haiku have?
Five, seven and five, in that order, for the English form. That is a convention rather than a translation: Japanese haiku count on, sound units that are shorter than English syllables, so a faithful English haiku often runs to about eleven syllables rather than seventeen. Modern English-language haiku editors accept both, and many prefer the shorter shape. The line check on this page reports the difference from 5-7-5 rather than passing or failing you, and the same panel handles tanka at 5-7-5-7-7, a limerick at roughly 8-8-5-5-8 and the ten beats of a sonnet line.
Why do numbers show a dash instead of a count?
Because a numeral has no fixed spoken form, so guessing would put a wrong number in your total. 1,500 is four syllables as fifteen hundred and five as one thousand five hundred; 2026 is said four different ways depending on the country and the context. Rather than pick one, this page leaves numerals out of the syllable total and says how many it skipped. If the figures matter to your meter, write them out in words and they will be counted like any other word.
Why English syllables refuse to follow a rule
Counting syllables sounds like counting vowels, and for about four words in five it is. Beyond that the spelling stops telling the truth. A final e usually says nothing — make, hope, wise — except when it says everything, as in café, recipe, karaoke, apostrophe and hyperbole, all of which arrived from other languages and kept their last beat on the way in. Two vowels side by side are usually one sound (boat, rain, beauty) and sometimes two (media, violin, chaos, museum). The -ed ending is silent except after a t or a d, which is why walked has one beat and wanted has two, and then a handful of old adjectives — naked, wicked, learned, beloved — ignore even that. The engine on this page works through vowel groups first, applies eleven patterns where touching vowels split apart and eighteen where they merge, handles the endings that swallow an e, and keeps a list of two hundred words that defeat all of it.
The deeper problem is that dictionaries themselves disagree, because speakers do. Chocolate is three syllables printed and two spoken by most people; every is two in the dictionary and three when you say it carefully; caramel is two in Britain and three in much of the United States; comfortable is four on paper and three in a sentence. Poetry has lived with this for centuries and made a virtue of it — flower and fire are counted as one beat or two according to what the line needs, and elision was a technique before it was an error. Any tool that gives you a single number is quietly choosing one pronunciation, and this one chooses the dictionary's. Where it is wrong it is wrong in a readable way: the per-word list shows exactly which word supplied which number, so you can overrule it on the one that matters instead of distrusting the total.
Most people who count syllables are doing one of two things. The first is metre — fitting a haiku into 5-7-5, a limerick into its bouncing 8-8-5-5-8, a sonnet line into ten beats — and there the line check above does the arithmetic while you keep your ear on the stresses, which no counter can hear. The second is readability. Every established reading formula runs on syllables: Flesch Reading Ease weighs syllables per word against words per sentence, SMOG and Gunning Fog count the words of three syllables or more, and a page that drifts above about 1.6 syllables per word has usually swapped short Anglo- Saxon words for long Latin ones. Both figures sit in the panel above, and the Flesch reading ease calculator turns them into a score with a grade attached, while the readability score runs five formulas over the same text at once to see where they agree.
What happens to the poem you paste
The counting runs on JavaScript that arrived with this page, so an unpublished poem or a chapter under embargo is measured on your own machine and travels nowhere. No syllable dictionary is fetched from a server — the two hundred exceptions and every rule ship inside the page itself, which is why the count appears instantly and why it keeps working with the network off. Nothing is stored between visits: reload and the box is empty again.